![]() ![]() But as Budd's musical palette began to expand, he, too, became fascinated by visual art - taking a particular shine to the paintings of 20th Century abstract impressionist, Mark Rothko. Harold Budd and Eno shared an art school pedigree, with Budd having studied music theory at Los Angeles Community College following stints in jazz bands throughout his teens. In any event, Eno took the opportunity with his new label to work with an artist from his last one. But it was undeniable that Eno had real aspirations for the label, however minor, securing distribution through PVC Records. Ambient was not so much a label as a term I coined for my exploring music that was as 'ignorable as it was interesting'. to release records that would not otherwise have been released in the pre-indie climate of 1975. He would later dismiss his second experience as a label chief in less than five years, saying Obscure was a label I formed with a set objective, i.e. Airports had not only been Eno's first true ambient record, it was also the inaugural release for his Ambient Records imprint. Having established the Ambient genre with Music For Airports, Eno quickly set about the task of establishing its custom record label. Part 3: Eternally Pretty Music, New Age and Imprints: The Plateaux Of Mirror And Day Of Radiance Stylus SEPTEMby Matthew Weiner & Tom BurnsīRIAN ENO AND THE AMBIENT SERIES, 1978-82 Turn on javascript to use the drop-down menus.
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